Tag: tech

  • Xbox Series X review (2024): Unfulfilled potential

    Devindra Hardawar

    The Xbox Series X was the perfect opportunity for Microsoft to run far away from its tumultuous Xbox One years and towards an era of genuine 4K gaming, ray tracing and Game Pass abundance. But it was not meant to be. The PlayStation 5 has outsold Microsoft’s new consoles by two to one, according to a VGChartz sales comparison, a replay of the battle between the PS4 and Xbox One. Now, Microsoft simply seems to be running down the clock of this console generation.

    When I initially reviewed the Xbox Series X, I found it to be a powerful console that surpassed the PlayStation 5 in some ways. But it was clear that Microsoft had a major problem at launch: Games. Four years later, not much has changed, despite spending nearly $69 billion acquiring Activision Blizzard. While Sony and Nintendo consistently delivered exclusive system-selling games — even on the aging Switch! — Microsoft has stumbled.

    It’s no wonder Microsoft wants to call so many other devices Xboxes. If you look too hard at its flagship console, you can’t help but be disappointed.

    Normally, I’d tackle the question of buying a device towards the end of a review, but this is a re-review so it’s worth asking up front: Who is the Xbox Series X for? It’s been around for four years, and, aside from the $450 version without a disc drive, there haven’t been any major hardware changes. Beyond the Xbox faithful, I’d wager most gamers would be better off putting $500 towards anything else.

    For anyone dipping their toes into modern console gaming for the first time — a parent grabbing something for their kid, or a former gamer trying to reclaim their hobby — it makes more sense to go for a PlayStation 5 instead of the Xbox Series X. Sony’s console has a wider array of noteworthy exclusives, more innovative haptics with its DualSense controller and its digital edition is typically cheaper than the disc-less Series X.

    Of course, if you’re a Halo fan the Xbox Series X is pretty much your only choice for a premium console (though the $300 Series S is a solid option for secondary TVs, especially when it’s on sale). Microsoft also released a special $600 2TB “Galaxy Black” model this year, but I’m still half-convinced that’s some sort of sick Tim Robinson-esque joke. It has to be when the more powerful and desirable PlayStation 5 Pro is only $100 more, right?

    The Xbox Series X is still powered by an 8-core AMD Zen 2 CPU and an RDNA 2 GPU, similar to what’s inside the PlayStation 5. It also has 16GB of GDDR6 RAM, 10GB of which runs at a higher bandwidth than the PS5’s memory. The Series X’s larger GPU gave it a slight edge over Sony’s console early on, but in practice that didn’t amount to much. Occasionally some third-party titles would run a bit more smoothly on the Xbox, but both consoles still had trouble balancing the demands of visual fidelity and performance.

    Instead of being the generation of no-compromise consoles, the Xbox Series X and PS5 frequently forced gamers to choose between playing games with ray tracing and graphical upgrades at 30fps, or forgoing them to reach a smooth PC-like 60fps. That’s the main reason Sony threw a more powerful GPU into the PlayStation 5 Pro — the standard PS5 hardware just couldn’t cut it.

    The Xbox sales slump made it clear why Microsoft didn’t try to compete with its own mid-cycle refresh, but it’s still sad to see the company shy away from any sort of innovation, like the leaked hardware that never arrived. The redesigned 2TB all-digital “Brooklin” Series X would have been a useful replacement for the base model. It also would have included a revamped controller, codenamed “Sebile,” with improved haptics (likely similar to Sony’s DualSense) and a direct cloud connection for playing streamed games. Microsoft even floated the idea of bringing 1TB of storage to the $300 Series S.

    Instead of those functional upgrades, though, we got a slightly cheaper all-digital $450 Series X, that overpriced 2TB model nobody will buy and a $350 1TB version of the Series S. Those prices are all at least $50 too high if Microsoft genuinely wanted to move consoles. I’d argue the company would benefit from going even cheaper to undercut Sony, but that would also dig into the company’s already slim profit margin. I’m sure Microsoft isn’t eager to lose more money on Xbox.

    Even with its aging hardware, the Xbox Series X can still make modern games look great. Indiana Jones and the Great Circle, for example, looks solid on the Series X, with smooth 60fps gameplay and ray tracing features. While it’s running at around 1800p instead of 4K, it’s still pretty sharp on both my 4K OLED and 4K Formovie ultra short throw projector. Sure, the game performs noticeably better on my RTX 4090-powered PC, but I can’t easily play that in my home theater. (According to Digital Foundry, even the Xbox Series S can run The Great Circle at 60fps, albeit at just 1080p with variable-rate shading.)

    It’s still disappointing that Microsoft stuck with its classic Xbox controller design for the Series X, though. When I reviewed the PlayStation 5, its DualSense haptics felt transformative. It made playing Astro Bot or Returnal feel unlike any console gaming experience I had before. Controller-wise, playing anything on the Xbox Series X doesn’t feel much different from the Xbox One or even the Xbox 360.

    Microsoft poured all of its innovation experience into delivering a slightly faster machine than the PS5, but it turns out that didn’t matter much in the long run. In addition to having more noteworthy games, Sony’s console feels like a genuine upgrade from the PlayStation 4. The PlayStation VR 2, flawed as it was, also demonstrated that Sony wasn’t afraid to take some risks this generation.

    After striking out with middling exclusives like Redfall and Starfield, the new Indiana Jones game is a rare feather in Microsoft’s dusty fedora. But even that advantage will disappear eventually — the company already plans to bring it to the PlayStation 5 next spring, alongside other former Xbox exclusives like Hi-Fi Rush and Sea of Thieves.

    Given the sheer amount of development talent at Microsoft from its many acquisitions (and despite an obscene number of layoffs), the company has now become one of the most important publishers in the gaming world. But owning a popular multi-platform series like Call of Duty hasn’t translated directly into Xbox sales.

    Beyond exclusives, Microsoft’s Game Pass subscription is the strongest argument for owning an Xbox. But even that has gone through its own form of enshittification this year. The company increased the monthly price of the “Ultimate” plan to $20, which includes day-one access to new titles and a large library of games for Xbox and PC. The new $15 a month “Standard” plan doesn’t get day-one access, but does include a library of hundreds of games, while the $10 a month “Core” option offers a limited library of 25 titles alongside multiplayer support.

    The Game Pass Ultimate plan also feels less, well, ultimate these days thanks to opportunistic early-access pricing for new titles. For example, subscribers could have paid an additional $35 for the “Digital Premium” edition of Indiana Jones and the Great Circle to play it three days early. That timing included the weekend before the game’s December 9 launch, so I’m sure many impatient Game Pass subscribers upgraded just to clock some uninterrupted playtime. It feels like a backhanded way for Microsoft to treat its most loyal players, despite not being overtly evil.

    Sony’s competing PlayStation Plus subscription isn’t as robust as Game Pass (there aren’t any launch day titles), but it still offers a large array of older games and cloud streaming support. While I wasn’t a huge fan of the PlayStation Portal handheld initially, it’s certainly a compelling accessory for PS Plus customers now that it can access cloud titles.

    Oddly enough, Microsoft hasn’t promoted Game Pass cloud streaming much over the past few years. It recently started testing the ability to stream a handful of games that you own, outside of the Game Pass library, yet that’s also a feature that should have been implemented years ago. The cringey “This is an Xbox” marketing campaign is a rare attempt at making mainstream players aware of Xbox cloud streaming, but even that feels like it’s coming way too late.

    Xbox Series X
    Aaron Souppouris/Engadget

    It’s not as if Microsoft has an empty gaming plate ahead. The company showed off a bit of its Perfect Dark and Fable reboots this summer, alongside a tease of a new Gears of War. We just saw a trailer for The Outer Worlds 2 at The Game Awards, the Dishonored fan in me is hyped for Arkane Lyon’s Blade, and I’m eager to learn more about Hideo Kojima’s OD. But all of those games will likely be available on Windows PCs, and many will also head to other consoles.

    There’s no doubt 2025 is going to be a busy year for Xbox — it’s just a shame that it likely won’t help Microsoft catch up to the PS5’s sales lead. But who cares, right? Everything can be an Xbox if you believe hard enough (or have a browser to access Game Pass cloud streaming).

    Back in February, when Microsoft confirmed it would be bringing Xbox titles to other consoles, Engadget Executive Editor Aaron Souppouris argued that the company should exit the console business entirely. While that makes a certain amount of sense for Microsoft, a software company that has often struggled with hardware outside of the Xbox 360 (and even that had its issues), I’m not convinced the company needs to go that far.

    For one, it would leave Sony and Nintendo as the only remaining console makers. Sony would also effectively have a monopoly on powerful console hardware and graphically intense games, at least based on what we’re hearing about the Switch 2. Less competition potentially also means less innovation down the line — Sony could easily coast if it was the only powerful console maker around.

    Xbox Series X
    Aaron Souppouris/Engadget

    Much like it did with the original Xbox, Microsoft could potentially cut its losses and try to jump-start the next console generation earlier than Sony. If Microsoft could produce hardware that’s more powerful than a PS5 Pro and deliver it at a relatively affordable price, it has a chance at peeling away Sony loyalists. That’s particularly true if it can ensure desirable exclusives are actually available for launch.

    Microsoft should also work towards making its recent Xbox marketing campaign more of a reality, instead of placing its bets mostly on expensive consoles. Make cloud streaming faster, sharper and easier to access. Make people aware that they can game on their phones, tablets and just about any computer. Revive the streaming dongle accessory and make it cheap so you can turn any TV into an Xbox, and also keep working on bringing Game Pass apps to all TVs.

    Hell, produce that genuine Xbox portable system and make sure Windows is better optimized for third-party portables. You should be able to spin up your Xbox games from practically wherever you’re sitting, no matter the device in front of you. (And while I’m on this soap box, why not let people turn the Xbox Series X and S into Windows PCs? These systems are all basically PCs already, and they would make lovely mini desktops or servers down the line.)

    The console wars of the future won’t be fought like those of the past. Microsoft should plan accordingly.

    Xbox Series X
    Aaron Souppouris/Engadget

    If you already have an Xbox Series X, or find one obscenely cheap somewhere, it’s still a solid way to play Microsoft’s titles, popular third-party games and everything Microsoft has available on Game Pass. But if you had to choose between buying the Series X or PlayStation 5, it’s hard to deny that Sony’s console is a smarter purchase.

    Perhaps the next console generation could be an Xbox 360-esque revival for Microsoft, but the company needs to look closely at what Sony and Nintendo are doing right. And really, it just comes down to having more games people want to play. Now that it’s flush with so many notable developers, Microsoft may finally be able to solve that problem. There’s no doubt that staying in the console business would be risky and expensive, but if there’s one company that can justify sticking around, it’s the one printing money from the cloud.

    This article originally appeared on Engadget at https://www.engadget.com/gaming/xbox/xbox-series-x-review-2024-unfulfilled-potential-203025192.html?src=rss

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    Xbox Series X review (2024): Unfulfilled potential

  • The Game Awards 2024: The 15 biggest announcements and new trailers including The Witcher 4 and Elden Ring

    Jessica Conditt,Kris Holt,Aaron Souppouris

    The Game Awards are over — congratulations to Team Asobi for Astro Bot taking home the Game of the Year award. Our review of Astro Bot earlier this year called it “one of the best games Sony has ever made,” and it seems the industry and game-playing public agree. 

    As always, the long, long stream was a hybrid award ceremony, advertising reel and game announcement marathon. 

    There were countless announcements interspersed throughout the awards, including all-new games like Intergalactic: The Heretic Prophet from Naughty Dog, The Witcher 4 from CD Projekt RED and Split Fiction from It Takes Two studio Hazelight. It was also a show of revivals, with long-dormant franchises like Okami, Onimusha, Ninja Gaiden and Virtua Fighter returning.

    You can view all of the winners at the Game Awards’ official site. And if you missed it, you can watch a the Video Game Orchestra’s GOTY medley; it’s always a highlight of the show and watching them fit Astro Bot and Balatro in this year was a vibe — praise the keytar!

    Here are our top announcements from the show, in no particular order — you can watch all the trailers below, or click on one of the headlines to get the full story.

    Well, let’s be honest: I don’t think any of us expected to see CD Projekt Red preview The Witcher 4 any time soon, and yet the studio did just that, sharing a lengthy cinematic trailer for the upcoming sequel at the Game Awards. Even if there’s no gameplay footage to be found, fans of the series will love what they see.

    Naughty Dog is pivoting from post-apocalyptic fungal drama to interstellar sci-fi bounty hunting with its newest game, Intergalactic: The Heretic Prophet. The studio revealed its new title with a cinematic trailer at The Game Awards on Thursday. Intergalactic takes place thousands of years in the future and it stars bounty hunter Jordan A. Mun, played by Chilling Adventures of Sabrina actor Tati Gabrielle. Jordan finds herself stranded on the planet Sempiria, which has been cut off from the rest of the universe for more than 600 years. She’s on a mission to escape Sempiria, but it looks like some vicious robots are going to get in her way.

    Elden Ring: Shadow of the Erdtree is just barely in the rearview mirror and FromSoftware already has a new game in the wings. The first trailer for Elden Ring Nightreign, a standalone co-op action game, at The Game Awards 2024.

    Ryu Ga Gotoku Studio delivered a meaty one-two punch at The Game Awards. First came the news that the Like A Dragon studio is behind a revival of the Virtua Fighter series. Not only that, but the forever-busy studio (which, you may recall, has a Like A Dragon spinoff coming in February) is also making a Like A Dragon-style game set in the 1910s.

    There were several major surprise announcements during this year’s edition of The Game Awards, but perhaps none was quite as out of the blue as word of a sequel to Okami. Not only that, the original game’s director, Hideki Kamiya, is at the helm.

    It’s only been a short few months since Gearbox announced Borderlands 4, the next game in its long-running looter shooter franchise. Back in August, all we had was a cryptic teaser, but at today’s Game Awards, we got a proper look at the new game.

    We told you back in 2021 that The Outer Worlds 2 was a thing that existed, and now, more than three years later, we have evidence in support of this claim: a gameplay trailer.

    2K’s consistently sporadic Mafia series will return in 2025. Mafia: The Old Country is set in Sicily in the 1900s, and will explore the origins of organized crime. Developer Hangar 13 announced that a new Mafia title was in development back in 2022, but gave few details beyond that. The game’s first trailer is a melodramatic affair complete with a patriarch monologuing over candlelight, horses galloping across the plains and opera music as a backing track. This is drama, people.

    Swedish indie studio Hazelight is synonymous with co-op gaming, so of course its next project is built for two players — but this time, it also features two genres. Split Fiction is a co-op adventure where players leap between sci-fi and fantasy worlds in a bid to escape the clutches of a greedy publishing corporation. It supports local and online co-op, and, fittingly, it plays out in split-screen.

    Brawlers Absolver and Sifu put Sloclap on the map thanks to their memorable looks, slick action and crunchy animations. So naturally the next project for the French studio is [checks notes] a 5v5 arcade soccer game. Uh, sure! Rematch, which is slated to arrive next summer, perhaps makes more sense for Sloclap than first meets the eye. The studio says the title falls within its remit of making challenging action games with a stylized look.

    Thick as Thieves is a new project from the team of immersive sim and stealth-action icons at OtherSide Entertainment, which includes Deus Ex creator Warren Spector, Looking Glass Studios founder Paul Neurath, and Thief: The Dark Project lead Greg LoPiccolo. Yes, that’s a stacked lineup. Together, the OtherSide crew has created or worked on the System Shock, Deus Ex, Thief and Ultima Underworld series, and (along with Doug Church and Ken Levine) are largely responsible for the existence of immersive sims as we know them.

    One of the highlights from The Game Awards was the moment Breaking Bad star Aaron Paul and voice actor Laura Bailey took the stage to reveal Dispatch. Set to arrive in 2025, the narrative game is from AdHoc Studio, founded by former Telltale Games developers, and features a stacked cast including Paul, Bailey, Jeffrey Wright, Erin Yvette, Jacksepticeye and others — a mix of A-list Hollywood talent and top-tier game voice actors.

    There are two cool pieces of news here. First, the indie studio behind the Overcooked series, Ghost Town Games, is working on a new title called Stage Fright, and it’ll support both online and couch co-op. Rad! Second, Stage Fright is being published by No Man’s Sky studio Hello Games, a move that marks Hello’s first foray into publishing other studios’ projects. Double rad! Stage Fright is built around co-op, and its mechanics bring Overcooked-style chaos to a series of escape rooms in a spooky, Luigi’s Mansion kind of world.

    Capcom has announced Onimusha: Way of the Sword, the first new Onimusha game since the original 2001 PS2 version was remastered in 2019. Revealed at The Game Awards 2024, it reveals a modern take on the classic dark action game, minus the fixed perspective. The trailer for the single player, Wordplay action game shows an unnamed Samanosuke-like hero as he takes on samurai zombies in bloody combat, collecting golden orbs as before.

    Resurrecting a beloved gaming series like Ninja Gaiden is always a tricky proposition. Anyone who might have worked on the franchise in its heyday has likely moved on to other projects or left the industry entirely. But judging by the talent working on Ninja Gaiden: Ragebound, the new series entry revealed at the Game Awards, I think it’s safe to say the franchise is in safe hands. That’s because Ragebound unites two companies who know a thing or two about making quality games.

    Update, December 13, 3:00PM ET: This article was updated to include a couple more stories that rolled in after we originally published. Enjoy the Dispatch and Onimusha trailers! (The headline was also updated from “13” to “15” because math is important.) We also added a link to view all of the award winners, a shoutout to our Astro Bot review, and a link to the Game Award Orchestra’s GOTY medley, just because.

    This article originally appeared on Engadget at https://www.engadget.com/gaming/the-game-awards-2024-the-15-biggest-announcements-and-new-trailers-including-the-witcher-4-and-elden-ring-043849098.html?src=rss

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  • How Amazon trains sequential ensemble models at scale with Amazon SageMaker Pipelines

    How Amazon trains sequential ensemble models at scale with Amazon SageMaker Pipelines

    Bikram Singh

    Ensemble models are becoming popular within the ML communities. They generate more accurate predictions through combining the predictions of multiple models. Pipelines can quickly be used to create and end-to-end ML pipeline for ensemble models. This enables developers to build highly accurate models while maintaining efficiency, and reproducibility. In this post, we provide an example of an ensemble model that was trained and deployed using Pipelines.

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    How Amazon trains sequential ensemble models at scale with Amazon SageMaker Pipelines

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  • Implementing login node load balancing in SageMaker HyperPod for enhanced multi-user experience

    Implementing login node load balancing in SageMaker HyperPod for enhanced multi-user experience

    Janosch Woschitz

    In this post, we explore a solution for implementing load balancing across login nodes in Slurm-based HyperPod clusters. By distributing user activity evenly across all available nodes, this approach provides more consistent performance, better resource utilization, and a smoother experience for all users. We guide you through the setup process, providing practical steps to achieve effective load balancing in your HyperPod clusters.

    Originally appeared here:
    Implementing login node load balancing in SageMaker HyperPod for enhanced multi-user experience

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  • How Clearwater Analytics is revolutionizing investment management with generative AI and Amazon SageMaker JumpStart

    How Clearwater Analytics is revolutionizing investment management with generative AI and Amazon SageMaker JumpStart

    Darrel Cherry

    In this post, we explore Clearwater Analytics’ foray into generative AI, how they’ve architected their solution with Amazon SageMaker, and dive deep into how Clearwater Analytics is using LLMs to take advantage of more than 18 years of experience within the investment management domain while optimizing model cost and performance.

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    How Clearwater Analytics is revolutionizing investment management with generative AI and Amazon SageMaker JumpStart

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  • How Twitch used agentic workflow with RAG on Amazon Bedrock to supercharge ad sales

    How Twitch used agentic workflow with RAG on Amazon Bedrock to supercharge ad sales

    Bin Xu

    In this post, we demonstrate how we innovated to build a Retrieval Augmented Generation (RAG) application with agentic workflow and a knowledge base on Amazon Bedrock. We implemented the RAG pipeline in a Slack chat-based assistant to empower the Amazon Twitch ads sales team to move quickly on new sales opportunities.

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    How Twitch used agentic workflow with RAG on Amazon Bedrock to supercharge ad sales

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  • Sonos Arc Ultra review: The best Dolby Atmos soundbar just got better

    Sonos Arc Ultra review: The best Dolby Atmos soundbar just got better

    Sonos is trying to regain some of its shine with the Arc Ultra soundbar — and from what we’ve seen so far, it goes a long way towards restoring the brand’s image.

    Black soundbar in front of a TV with various streaming apps
    Sonos Arc Ultra review: The new Sonos Arc Ultra

    Recently, Sonos has been under fire for the terrible rollout of its new mobile app. It had profound bugs, and lacked several features that the previous versions offered.

    We won’t even get into how bad the company’s response was to complaints.

    Continue Reading on AppleInsider | Discuss on our Forums

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    Sonos Arc Ultra review: The best Dolby Atmos soundbar just got better