Go Here to Read this Fast! If you have to watch one Netflix movie in May, stream this one right now
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If you have to watch one Netflix movie in May, stream this one right now
Go Here to Read this Fast! Everything you need to know about Reacher season 3
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Everything you need to know about Reacher season 3
If you’re looking for a great pair of earbuds without breaking the bank for yourself (or as a gift), now’s a good time to shop. Apple’s third-generation AirPods are currently down to $140 from $169 — a 17 percent discount. This deal brings the AirPods back down to their record-low price.
Apple launched its third-generation AirPods in 2021, and they were a big improvement on their predecessor. We gave the model an 88 in our review thanks to features like a more comfortable design and much better audio quality. The new look is more contoured and a third of the second-generation model’s length. The new shape also helps improve audio quality as they’re better at directing sound into your ear.
The third-gen AirPods and their charging case also offer IPX4 sweat and water resistance. Speaking of charging, this model has a longer battery life, lasting for six hours at a time and 30 hours in total with the case. Plus, they have always on-Siri and more accurately determine when they’re in your ears.
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This article originally appeared on Engadget at https://www.engadget.com/apples-third-gen-airpods-are-back-on-sale-for-140-132303235.html?src=rss
Watch along today as NASA’s Boeing Starliner Crew Flight Test finally — most likely — blasts off to the International Space Station (ISS). NASA should start streaming its coverage at 6:30PM ET on its YouTube channel, with the official launch set for 10:34PM ET. The spacecraft will carry two astronauts, Suni Williams and Butch Wilmore.
We say “most likely” because the road to this day has not been a smooth one. It was a decade ago that NASA first chose Boeing and Space X to construct spacecraft that would fly from the United States to the ISS. Boeing received a $4.2 billion contract, while NASA gave SpaceX $2.6 billion. Yet, the latter had its first successful crewed flight in 2020 and has replicated it about a dozen times since.
Boeing’s Starliner failed to reach orbit during its first uncrewed orbital test flight in 2019 due to too much fuel burning. A follow-up flight was scheduled for August 2021 but was scrapped due to a valve issue, with Boeing finally reaching the ISS in spring 2022 with an uncrewed vessel. Two plans for crewed flights came and went, amongst faults in aspects such as the parachute system. Last August, Boeing announced it should have these issues straightened out by March 2024.
It’s now two months later than that initial goal and Boeing, Williams and Wilmore seem prepared for take off. “We are ready, the spacecraft’s ready and the teams are ready,” Wilmore told the press. NASA associate administrator Jim Free added: “The first crewed flight of a new spacecraft is an absolutely critical milestone. The lives of our crewmembers Suni Williams and Butch Wilmore are at stake — we don’t take that lightly at all.”
This article originally appeared on Engadget at https://www.engadget.com/how-to-watch-nasas-first-boeing-starliner-crewed-flight-launch-today-130046785.html?src=rss
Doctor Who is famous for constantly reinventing itself while remaining more or less exactly the same. The show has had a rough few years, which has led to some dramatic changes behind the scenes. Russell T. Davies, who was behind Doctor Who’s 2005 revival, has stepped in to rescue the show. What was historically an in-house BBC production is now being handled by a Sony-owned production company. And Disney has bankrolled it, with this new revival billed outside the UK as a Disney+ Original.
The dramatic behind-the-scenes changes prompted some fundamental questions about how Doctor Who would thrive in this new world. Would Davies be able to bring the show back from the brink a second time? And would the show appeal to Zoomers in the same way it found a devoted audience of Millennials? And would Doctor Who survive intact under Disney, which is used to obsessive levels of control?
It’s that last question I can already answer, having watched the first two episodes of this new eight-episode season: Doctor Who hasn’t been watered down to suit its new paymasters or the broad international audience who will see this show pop up every Friday. In fact, Who ‘24 has doubled down on being weird, avant-garde, difficult to handle and harder to pigeonhole. It’s a little punk and a little rough around the edges which makes it all the more interesting compared to, say, some other Disney+ series I could choose to mention.
I’m not allowed to share much of what I saw, but episode one, “Space Babies,” features the Doctor (Ncuti Gatwa) and Ruby (Millie Gibson) visiting a space station crewed by babies. As you can see in the trailer, there’s liberal use of unconvincing and creepy CGI mouths for said rugrats. “The Devil’s Chord,” meanwhile, sees the TARDIS head to Abbey Road to meet the Beatles at the dawn of their careers.
If this is your first experience of Doctor Who, please start with the Christmas Day special “The Church on Ruby Road.” These first three episodes are the jumping-on point, and form Davies standard “Present,” “Future” and “Past” trilogy he uses to open his runs. All three are sold as fun romps, but there’s a spikiness that stems from Davies’ underlying cynicism. As much as he may paint in primary colors, his worldview is a lot darker than some of his colleagues.
Davies is a strong advocate for better queer representation in film and TV and is arguably one of the most powerful gay men in media. Many of his shows, including Queer as Folk, Cucumber, A Very English Scandal and It’s a Sin center on queer narratives. Davies has made it clear he wants to foreground queer experiences in this season of Doctor Who and does so, proudly. He told Variety that the Doctor “chimes with queer energy” and that he’s not a “neutered Doctor.”
Some context: In 2021, Davies called out Disney+ for its lack of real representation in some of its other shows. During a virtual panel as reported by Pink News, he pointed at Loki’s single reference to the lead character’s fluid sexuality as a warning sign. “Loki makes one reference to being bisexual once and everyone’s like ‘oh my god, it’s like a pansexual show,” he said. Adding the single spoken reference was a “a ridiculous, craven, feeble gesture towards the vital politics and the stories that should be told.”
Davies returned to the job after the failure of his immediate predecessor, Chris Chibnall, who will likely go down in infamy. Chibnall inherited a successful show and opted to broaden its horizons by hiring a far more diverse crew both in front of and behind the camera. That included writers like Malorie Blackman and Vinay Patel and casting two women, Jodie Whittaker and Jo Martin, to play the Doctor. Chibnall also refused to bow down to culture war pressure when tedious people started screaming that the show had “gone woke.”
But for all of the goodwill the show had — and which Chibnall’s early decisions helped accrue — the showrunner quickly started to burn his own legacy as he built it. The quality of his episodes were never great and he wrote episodes that were incoherent, or said some pretty awful things by implication. He then started using the show as a vehicle for his own fan theories, re-litigating niche matters of continuity so nit-picky even I rolled my eyes so hard my skull caved in.
And then he created a secret origin story for the Doctor that essentially overwrote much of the previous 60 years’ worth of character development. He turned the Doctor into some sort of Space Jesus and then set about destroying a significant amount of the series’ fictional universe. Audiences were not thrilled: 8.2 million people watched Chibnall’s first regular-season episode but, by the end of his tenure, the figure had tumbled to 3.47 million.
It would have been smart to ditch all of this and declare a fresh start but Davies took a different approach. He has opted to Yes-And Chibnall’s hamfistedness, incorporating the catastrophic events of the last season as a new backdrop for the series. The universe is now “knackered,” which has led to the show’s fictional reality warping in new, weirder and more whimsical directions. Whereas before Doctor Who sat at the crossroads of science and fantasy, it has now become a soft fantasy show. Villains like the Toymaker and the Goblin King push the Doctor into a more mythic register than ever before.
CGI baby mouths aside, Doctor Who’s slick production values don’t work unless they’re tied to great writing and great acting. Ncuti Gatwa had already become a superstar thanks to his work on Sex Education and Barbie and is a magnetic presence on screen. I struggle to take your eyes off him, but he’s clearly willing to cede space and time to his co-stars. Millie Gibson has the harder role as Ruby Sunday, having to keep her character grounded and believable in this fantastic world. The role of the Doctor’s traveling companion has minted many British A-listers since the show’s return and Gibson is clearly destined for big things.
If there’s one thing that comes across too much in these opening episodes, it’s that Doctor Who isn’t the same show from one week to the next. It revels in being chaotic, freewheeling through genres and styles with the freedom its lead character so relishes. So, if this is your first time on board the TARDIS, welcome, and strap yourselves in for some silly and serious fun.
Oh, and they fixed the title sequence.
The first two episodes of Doctor Who arrive globally on Disney+ on Friday, May 10 at 7:00pm ET and in the UK on BBC iPlayer at midnight on Saturday, May 11. One episode will arrive at the same time for the following six weeks.
This article originally appeared on Engadget at https://www.engadget.com/doctor-who-is-back-louder-and-more-chaotic-than-before-130041838.html?src=rss
Go Here to Read this Fast! Doctor Who is back, louder and more chaotic than before
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Doctor Who is back, louder and more chaotic than before
When I first saw the Rabbit R1, it was more appealing than the Humane AI Pin. The R1 had an actual screen, not a dim projector, and it had a twee scrolling wheel, all wrapped up in a glossy, fiery orange-red shell.
Alas, as our review explains, it doesn’t work as well as promised. It doesn’t do much and is, at launch, riddled with bugs and issues. Devindra Hardawar, who reviewed it, even took issue with the scrolling wheel. Nooooo.
The main takeaway might be: If your phone can do all these tasks just as well (or better, in most cases), what’s the point, Rabbit?
The truth might be I just wasn’t into the Rabbit R1. Even if I am into pretty much anything Teenage Engineering designs.
— Mat Smith
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New research conducted by the University of East Anglia (UEA) suggests current carbon removal plans will not be enough to comply with Paris treaty goals to limit global warming to 1.5C. There’s a gap of up to 3.2 billion tons of carbon dioxide (CO2) between current global plans to remove carbon from the atmosphere and what’s needed to avoid the worst impacts of global warming. The study says a rapid reduction in emissions is far more important than where to stuff the CO2 already around.
Google has updated its Inappropriate Content Policy to expressly prohibit advertisers from promoting websites and services that generate deepfake pornography. There are already restrictions in place for ads that feature some types of sexual content, but this aims squarely at “synthetic content that has been altered or generated to be sexually explicit or contain nudityThe company will start implementing the rule on May 30, giving advertisers the chance to remove any ad in violation of the new policy.
Nintendo sent a Digital Millennium Copyright Act (DMCA) notice for over 8,000 GitHub repositories hosting code from the Yuzu Switch emulator. You might recall the games maker said Yuzu was enabling “piracy at a colossal scale.” Redacted entities representing Nintendo assert the Yuzu source code “illegally circumvents Nintendo’s technological protection measures and runs illegal copies of Switch games.” This is all happening as game emulators enjoy a resurgence. Last month, Apple loosened its restrictions on retro game players in the App Store. However, the more earnest reasons for emulation (archiving a history of gaming that could otherwise be lost; playing games no longer in circulation) evaporate when you’re doing it for a free copy of Tears of the Kingdom.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-the-verdict-on-the-rabbit-r1-111538948.html?src=rss
Go Here to Read this Fast! The Morning After: The verdict on the Rabbit R1
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The Morning After: The verdict on the Rabbit R1
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5 Hollywood classics new to Prime Video in May 2024 that are essential cinema
In March 2024, Foxconn’s parent company Hon Hai Precision Industry Co reported a 10% revenue drop in Q1, specifically because of slowing demand over the iPhone. Now despite coming in what it describes as traditionally a transition month between old and new products, the company is reporting a record high revenue for April 2024.
According to Bloomberg, the company says it earned 19% more year over year. Its monthly sales for April 2024 were $15.8 billion, compared to $13.3 billion in April 2023.
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Foxconn saw best-ever April revenues partly because of better than expected iPhone demand
If there’s ever any doubt that the iMac is a phenomenal success, just try to think of any other computer — any other device — that is still being sold a quarter of a century after it was launched. The iMac of 2023 may be vastly different to the original one announced in 1998, but it’s not just that it has kept the name.
Today’s iMac is this slim, sleek design and 1998’s was fat and bulbous, but they are recognizably the same at heart. The iMac has always been an all-in-one computer, where a single unit houses the display and the actual computer part.
Go Here to Read this Fast! How Steve Jobs saved Apple with the iMac 26 years ago
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How Steve Jobs saved Apple with the iMac 26 years ago
The “Let Loose” event already had a series of artwork logos, with the primary one including the image of a hand holding an Apple Pencil. Now that same primary image has an added facet in that first it appears as a line-art sketch as if being worked out in rough by an artist.
Then as before, it animates in to full color, including a moving hand sweeping in with the Apple Pencil to take center stage in the logo. Now, though, dragging a cursor over the logo erases it.