Go Here to Read this Fast! Everything you need to know about Severance season 2
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Everything you need to know about Severance season 2
Go Here to Read this Fast! If you have to watch one Netflix show this May, stream this one
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If you have to watch one Netflix show this May, stream this one
Say hello to new iPads — probably. Apple is holding a live event this morning at 10AM ET to unveil new entries in its lineup of tablets. The keynote, dubbed Let Loose, will be starting soon, and you can watch live in a number of ways. We are popping the YouTube stream below, so you can watch right here, but the event is also available on the company’s website and on the Apple TV+ app. Engadget is also liveblogging the Let Loose iPad event, if you’d like our play by play.
So what is the company likely to announce? Tablets, as far as the eye can see. Apple’s been coy as to which iPads are getting a refresh, but rumors and reports indicate a new OLED iPad Pro and an updated iPad Air.
The rumored iPad Pro may even skip the M3 chipset, as Bloomberg’s Mark Gurman suggested there is a “strong possibility” that the tablet could feature the next-gen M4. He also indicated that Apple is going to lean heavy on some new AI branding when it comes to the iPad Pro, referring to it as the company’s “first truly AI-powered device.”
Beyond potentially having an AI onboard to confidently, yet mistakenly, answer questions, this will likely be an OLED tablet. That means a glorious display that should bring richer colors and deeper blacks to the line. OLED panels are also thinner than LCD panels, so this could be one slender gadget. There are also rumors that the iPad Pro will feature a glass back to enable MagSafe charging.
It’s been two whole years since an iPad Air refresh, which is a lifetime in tech years. The updated iPad Air will likely not have a fancy next-gen chipset or an OLED display. It could, however, boast an upgrade to the M2 chip. The current models still sport the antiquated M1. Reports also suggest that the iPad Air’s front-facing camera is moving to the landscape edge.
It’s also possible that the tablet has been bulking up on creatine, as rumors suggest that Apple is prepping the first 12.9-inch iPad Air. This would make it the most budget-friendly option for a large-screen iPad tablet.
The event won’t just be for iPads. It’ll also be for iPad accessories. To that end, expect Apple to reveal a revamped Magic Keyboard for the iPad Pro line, which could be made from aluminum. In addition, Apple is expected to unveil a new Apple Pencil to replace the second-gen model. Some reports have even indicated the next Apple Pencil could work with Vision Pro drawing apps, in addition to tablet apps.
This article originally appeared on Engadget at https://www.engadget.com/how-to-watch-apples-ipad-launch-event-on-tuesday-152650009.html?src=rss
Go Here to Read this Fast! How to watch Apple unveil new iPads today at its ‘Let Loose’ event
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How to watch Apple unveil new iPads today at its ‘Let Loose’ event
Fujifilm’s X100 V became a surprising viral hit thanks to influencers who loved not only its performance but also its retro-chic cool factor. Now, the company has launched its successor, the similar-looking but more-capable X100 VI. It’s only been on sale a short time, but retailers are already reporting months-long waiting lists.
It features some key improvements over the previous model, including a much higher-resolution 40-megapixel sensor, in-body stabilization and better video. At the same time, it retains the looks and compact size people loved about the X100 V.
I couldn’t wait to get a hold of one to check out the performance for myself and see if it’s worth a purchase or upgrade. To test, I hopped on the Eurostar over to London with my French photographer friends to see if it’s worth the high price and considerable wait.
The X100 series is beloved in large part because of the vintage rangefinder camera styling, and Fujifilm didn’t mess with that. In addition to the near-identical looks, the X100 VI’s button and dial layout is unchanged. Fujifilm also kept the previous model’s 23mm f/2 lens.
To accommodate the in-body stabilization, the X100 VI is slightly chunkier and weighs 18.4 ounces, about 1.4 ounces more than before. That’s not much, but every bit counts for a camera designed to be carried around all day.
The control design with dedicated dials for ISO, shutter, aperture and exposure compensation is a bit old-fashioned compared to modern cameras. But it does serve a purpose, showing settings at a glance. That’s a must for shooting on the fly.
The X100 VI isn’t just cosplaying as a rangefinder, either. On top of the 3.69-million dot electronic viewfinder (same as the last model), it offers a rangefinder-style optical finder and a hybrid of the two with a picture-in-picture EVF. The last setting is for people who still want a digital security blanket, and it works very well.
Also unchanged is the rear display, allowing basic up and down tilting for high or low angle shooting. That’s not great for selfies or vlogging, but perfect for shooting from the hip.
The menu system is mostly the same, which is a good thing as it’s relatively easy to find key settings. To avoid diving in, though, you can use the quick menu and numerous buttons and dials for easier adjustments. It’s also customizable and I’d advise buyers to set it up to their preferences to avoid any shooting errors.
The X100 VI has a single slot that only supports slower UHS-I cards, unfortunately, along with a USB-C port for charging and data. The MicroHDMI port also lets you use external recorders, though the tiny camera looks awkward with one attached. Finally, the battery is the same smallish one as before, unfortunately — more on that in a bit.
Despite the higher resolution, the X100 VI still shoots at a decent 11 fps, with buffer space for about 17 uncompressed RAW frames. JPEG bursts are a bit faster at 13 fps in electronic shutter mode and the buffer size jumps to 37 frames in that case.
Unless you really need total silence, the mechanical shutter is your best bet. It’s very quiet, and you’ll see considerable rolling shutter in electronic mode.
Autofocus is much-improved compared to the V. It’s more reliable for subject tracking and adds new autofocus modes for animals, birds, cars, motorcycles, airplanes and trains. Fuji’s eye- and subject-detection are in separate modes though, forcing you to change settings.
Fujifilm’s AF system was already middling, lagging behind Sony and Canon. The X100 VI is even less effective than Fujifilm’s larger X-H2 and X-T5, due to the slowish motors on the fixed lens. That means focusing on moving subjects is a bit hit or miss. That said, burst shooting is not what this camera is for and the fact that it’s decent at all is a bonus.
In-body stabilization might be the biggest improvement to come to the X100 lineup. With six stops of shake reduction, you can get sharp photos down to about a quarter second. That lets you blur motion to make interesting, creative shots.
The optical finder takes some getting used to, as it’s not a direct view through the lens like with DSLRs. It’s off to the side of the lens, so this parallax means subjects that are close to the camera may not be framed the way you expect. That’s why the EVF insert mode is so handy as it supplies a second true view of the scene.
One issue is battery life, with only 450 shots on a charge or 310 if you use the EVF. I found that one battery wasn’t enough for a full day’s shooting, so factor extra ones into your buying decision. You may also want an external charger, as Fujifilm doesn’t supply one in the box.
The 40MP sensor obviously delivers a big boost in resolution over the X100 V’s 26MP. The extra pixels are also handy if you need to crop in, which is a common requirement with a fixed wide-angle lens camera. And while the lens is the same as before, it’s sharp enough to resolve the extra detail.
If this sensor seems familiar, that’s because it’s the same as the one on the X-T5 and X-H2, so the image quality here is similar to those. In-camera treatment of JPEG and 10-bit HEIF files is handled well, with pleasant, accurate colors and a nice balance of noise reduction and detail. You can often share photos straight out of the camera, too, something that’s important to street photographers who do little to no post-processing.
The 14-bit RAW photos offer plenty of room for fine-tuning, even in bright or dark areas. However, if you underexpose shots and try to boost levels, noise can get out of hand compared to a full-frame camera.
The higher resolution doesn’t hurt image quality much at higher ISOs. Noise is well controlled up to ISO 6400, and you can go up to 12800 if exposure is set correctly. I was impressed with the quality when shooting in bars and other dark environments.
And of course, the X100 VI offers Fujifilm’s full array of film simulation modes. You can experiment with popular looks like Velvia, Eterna or Acros black and white, and still have a full-color RAW backup. As the only major camera company also selling 35mm film, Fuji’s simulations are the most pleasing and realistic.
The X100 VI’s excellent video specs are another bonus. It has nearly the same feature set as the X-T5, so you can shoot 6.2K at 30 fps with a 1.23x crop, or 4K at up to 60 fps with line-skipping and a 1.14x crop. The camera also offers sub-sampled 4K at up to 30p using the full sensor width, or high-quality 4K 30p with a 1.23x crop. Fujifilm also introduced 10-bit and F-Log2.
It took me a while to get used to the different modes and cropping levels. At 6.2K and 4K HQ, rolling shutter is pronounced so you’ll need to be aware of that. At the same time, full-sensor sub-sampled 4K is noticeably more low-res than the HQ mode.
Video autofocus matches what I saw with photos, meaning it was decent but not super reliable for moving subjects. The AI-powered AF did lock onto subjects, but again, couldn’t always keep up to flying birds, animals or vehicles.
Handheld video is now a realistic option with in-body stabilization. It worked well as long as I didn’t move around much, and offers a “boost” mode that smooths out jiggles further. Digital stabilization is also an option, but isn’t supported with the 6K or HQ modes, and doesn’t really reduce jolts for walking or fast movements.
Video quality is solid for a small compact camera, offering the same accurate colors you see in JPEG photo modes. Shooting in 10-bit F-Log makes it possible to adjust footage considerably in post or get creative. You can also shoot video using the film simulation modes if you want a specific look straight out of the camera.
Fujifilm has made all the right moves to keep the X100 VI’s popularity high by tucking a very competent street and travel camera into a beautiful retro-cute body. The extra resolution, in-body stabilization and new video features should be more than enough to tempt owners to upgrade.
At $1,600, the X100 VI doesn’t have a lot of competition — which is odd, given its success. Leica springs to mind with the Q3, though that costs a whopping $6,000. Another option is the $1,000 Ricoh GR IIIx, which also offers in-body stabilization and an ND filter. However, resolution is lower at 24MP and it lacks the X100 VI’s high-end video features.
Sony’s ZV-1 II is also in this compact category, but it’s mostly designed for video. Keep an eye on Panasonic, as it may release a new compact camera, according to recent rumors. In any case, if you’re in the market for a high-end compact and can afford the X100 VI, I wouldn’t hesitate — there’s a lot of camera inside that beautiful body.
This article originally appeared on Engadget at https://www.engadget.com/fujifilm-x100-vi-review-a-one-of-a-kind-camera-for-street-photography-and-travel-133004951.html?src=rss
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Fujifilm X100 VI review: A one-of-a-kind camera for street photography and travel
Newsletter platform Substack is ramping up its video ambitions and trying to lure TikTok stars to its service. The company announced a new “creator studio” that will offer a group of creators free promotion and other services if they “ turn their TikTok channels into Substack shows and communities.”
The program is part of a larger effort by the newsletter company to expand beyond text newsletters. The timing also happens to come just weeks after a bill that could ban TikTok in the United States became law, though Substack claims its plans are unrelated to the measure. “We’re not introducing this fellowship because of panic over a TikTok bill or ever-changing algorithms,” Substack’s Austin Tedesco writes in a blog post. Instead, he says, it’s about finding a replacement for all “ad-based platforms” which he says are “unreliable partners” for creators.
It’s not clear how Substack intends to create a better home for creators, though the experience of participants in the creator studio will presumably inform its future plans. For now, the company is recruiting ten TikTok creators for the program. Those who are accepted will receive production help and PR services, as well as access to “exclusive features” and “white glove service” from Subsatck’s partnerships team.
The company says creators in the program can still post on TikTok, Instagram and other social channels but that Substack should be the “primary home base for free and premium content.” Creators will also be expected to engage with subscribers on Substack Chat.
Substack has been pushing video features for awhile, but the announcement is the clearest sign yet that it wants to expand its service to creators typically found on traditional social media platforms, rather than writers who may also dabble in video. The company also likely won’t be the last to try to take advantage of TikTok’s uncertain future in the United States. And while YouTube and Instagram may be better-positioned to scoop up TikTok’s talent, Substack may be able to carve out a space for creators looking to offer paywalled content.
This article originally appeared on Engadget at https://www.engadget.com/substack-is-trying-to-lure-tiktok-stars-to-its-platform-130052380.html?src=rss
Go Here to Read this Fast! Substack is trying to lure TikTok stars to its platform
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Substack is trying to lure TikTok stars to its platform
China is accused of hacking the payroll system for the United Kingdom’s Ministry of Defence. The BBC and Sky News report that the severe data breach exposed the personal information of active military personnel and veterans. The information mainly consists of full names and bank details, but in some cases, it might also include personal addresses.
Affected individuals are being notified, and Defence Secretary Grant Shapps should provide MPs with a more detailed update today. He is anticipated to outline a plan of action for protecting anyone whose data was compromised. All salaries are expected to be paid as usual this month.
In a statement, China’s foreign minister said the country “firmly opposes and fights all forms of cyber attacks” and “rejects the use of this issue politically to smear other countries.” However, this isn’t the first time the UK and China have clashed over security concerns. In March, UK Deputy Prime Minister Oliver Dowden accused China of being behind an August 2021 hack of the Electoral Commission, as the BBC reported at the time. The UK also banned TikTok — owned by Chinese tech company ByteDance — from all government devices in March 2023, claiming protective measures.
This article originally appeared on Engadget at https://www.engadget.com/the-uks-ministry-of-defence-was-hacked-and-the-country-is-reportedly-blaming-china-121954779.html?src=rss
Apple is adding a bunch of new titles to its Arcade video game subscription service next month, including Return to Monkey Island. It’s the first new entry in the franchise by series creator Ron Gilbert since Monkey Island 2: LeChuck’s Revenge, which was released way back in 1991. The game still revolves around the pirate Guybrush Threepwood who’s on a journey to unearth the secret of Monkey Island. You’ll see some familiar locations from the older games in the new title, which also features Threepwood’s wife Elaine Marley and his arch-enemy, the zombie pirate LeChuck. Return to Monkey Island is already available on the App Store, but it’s coming to Apple Arcade on June 6 where subscribers can access the whole game, including the in-app purchases non-subscribers would have to buy.
Ubisoft’s Rabbids: Legends of the Multiverse by Ubisoft is also arriving on the subscription service on the same date, along with Tomb of the Mask by Playgendary and Fabulous – Wedding Disaster by GameHouse. Before those games become available on Arcade, though, Where Cards Fall will make its way to the Apple Vision Pro first. The award-winning puzzle game with a coming-of-age narrative will feature tactile controls designed especially for the mixed reality headset. Players will have to use natural gestures to build bridges, pathways and other structures with a house of cards so that they can get around various landscapes. Where Cards Fall for the Apple Vision Pro will be available on May 30.
This article originally appeared on Engadget at https://www.engadget.com/return-to-monkey-island-comes-to-apple-arcade-in-june-120016947.html?src=rss
Go Here to Read this Fast! Return to Monkey Island comes to Apple Arcade in June
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Return to Monkey Island comes to Apple Arcade in June
Google’s big developer showcase, encompassing software, hardware and all its consumer AI projects, is fast approaching. Google I/O’s opening keynote is on May 14, and we’ve got a good guess on what you can expect.
To begin, Android 15’s first beta is already out. We know there will be enhanced privacy features, partial screen sharing and system-level app archiving. But they’re not the most thrilling updates — hopefully, Google has some spicy features in its back pocket. Redesign something!
AI-wise, lots of stuff. Gemini AI is now firmly established, but what about an AI assistant? Reportedly, Pixie, as it’s currently called, could debut on the Pixel 9. We’re also expecting the company to ramp up its generative AI — but where will it start? More editing features in Google Photos? More text help in Google Docs? Something AI with Google Maps?
What about a new Pixel phone? Traditionally, those appear in the fall, but what about a Pixel 8a? Maybe.
Before all that, we’ve got an iPad event in just a few hours today. Make sure to watch and read along here on Engadget.
— Mat Smith
How to watch Apple’s iPad launch event on Tuesday
Doctor Who is back, louder and more chaotic than before
Back in theaters, I learned how to appreciate The Phantom Menace
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Hades II is in Early Access for PC players. The roguelike is out now for $30. Hades II builds on the themes and gameplay of the 2020 timesink original. We’re getting a new protagonist, and apparently, there’s no need to have played through Hades. (Confession: I never quite beat Hades…) The game will eventually land on PlayStation and Xbox too.
Sonos’s long-awaited debut headphones are dropping in June. That’s according to Dutch company Schuurman, which has published information and images of the headphones ahead of time. Schuurman listed the device for €403.58 ($435) with cushion replacements, which is pretty near the $449 pricing Bloomberg reported previously.
NASA’s Boeing Starliner crew flight test was meant to blast off to the International Space Station yesterday. Sadly, Boeing scrubbed the first Starliner crew fight test two hours after it was scheduled to launch. The launch control teams detected “anomalous behavior.” Astronauts were already onboard and had to exit the vehicle. The company has yet to announce a new launch schedule. It’s the latest delay of many previous delays.
This article originally appeared on Engadget at https://www.engadget.com/the-morning-after-what-to-expect-at-google-io-2024-111531002.html?src=rss
Go Here to Read this Fast! The Morning After: What to expect at Google I/O 2024
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The Morning After: What to expect at Google I/O 2024
Meta’s Oversight Board is taking up a new set of cases that touch on the commentary surrounding the Israel-Hamas conflict. The board says it will review three cases involving Facebook posts that used the phrase “from the river to the sea.”
Though use of the slogan predates the current conflict by several decades, it’s received renewed attention and scrutiny since the October 7 attacks. “On the one hand, the phrase has been used to advocate for the dignity and human rights of Palestinians,” the board writes in a statement. “On the other hand, it could have antisemitic implications, as claimed by the users who submitted the cases to the Board.”
The board notes that in all three cases, Meta found that the posts didn’t violate its policies around promoting violence, hate speech or terrorist content. The Oversight Board says it will “consider how Meta should moderate the use of the phrase given the resurgence in its use after October 7, 2023, and controversies around the phrase’s meaning.”
It’s not the first time the Oversight Board has considered cases related to the Israel-Hamas conflict. The group previously took on a pair of cases on the removal of posts about the October 7 attacks and a subsequent airstrike in Gaza. In those cases, the group’s first-ever “expedited reviews,” the board blamed Meta’s automated moderation tools for mistakenly removing posts that should have been left up.
Notably, the board says all three posts in its latest cases were originally shared last November. And, unlike the earlier cases related to the conflict, the Oversight Board won’t be expediting its decisions. That means it could be several weeks before a decision is published. Meta will then have 60 days to respond to any policy recommendations that come out of the case.
This article originally appeared on Engadget at https://www.engadget.com/metas-oversight-board-will-rule-on-from-the-river-to-the-sea-100041727.html?src=rss
Go Here to Read this Fast! Meta’s Oversight Board will rule on ‘from the river to the sea’
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Meta’s Oversight Board will rule on ‘from the river to the sea’
Nintendo will unveil a successor to the Switch sometime “within this fiscal year” ending March 2025, president Shuntaro Furukawa wrote in a post on X. That differs slightly from reports that the next-gen console would be announced this year, as it could also be revealed early in 2025.
The company added that it will not release any details on the Switch 2 (or whatever it’ll be called) at its upcoming Nintendo Direct event in June, so we won’t hear anything until at least the second half of 2024.
“It will have been over nine years since we announced the existence of Nintendo Switch back in March 2015,” Furukawa wrote. “We will be holding a Nintendo Direct this June regarding the Nintendo Switch software lineup for the latter half of 2024, but please be aware that there will be no mention of the Nintendo Switch successor during that presentation.”
This is Furukawa, President of Nintendo. We will make an announcement about the successor to Nintendo Switch within this fiscal year. It will have been over nine years since we announced the existence of Nintendo Switch back in March 2015. We will be holding a Nintendo Direct…
— 任天堂株式会社（企業広報・IR） (@NintendoCoLtd) May 7, 2024
Nintendo also dropped its earnings report that contained both good and bad news. The company had already boosted its Switch sales forecast for the last fiscal year to 15.5 million units, but it bested that figure with 15.7 million units sold for the full year ending March 2024. While down compared to the previous year (17.97 million units), it helped Nintendo grow sales and operating profit by 4.4 and 4.9 percent, respectively, year over year.
Things won’t be so rosy in fiscal 2025, though, as the company projects that Switch sales will drop to 13.5 million units for the year ending in March 2025. That will result in a 19.3 percent and 24.4 percent drop in net sales and operating profit, respectively.
Nintendo has done a good job maintaining Switch sales, considering that the console went on sale over seven years ago. That was helped in large part last year by games including bestsellers The Legend of Zelda: Tears of the Kingdom and Super Mario Bros. Wonder.
Now that Nintendo has given a timeframe for the launch of the new console, however, interest in buying the current Switch is bound to wane. The company no doubt hopes that several upcoming titles, including Paper Mario (May 23) and Luigi’s Mansion 2 (June 27), will help juice sales.
This article originally appeared on Engadget at https://www.engadget.com/nintendo-to-announce-switch-successor-before-march-2025-091457457.html?src=rss
Go Here to Read this Fast! Nintendo to announce Switch successor before March 2025
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Nintendo to announce Switch successor before March 2025