Year: 2024

Microsoft pitched OpenAI’s tech to the Department of Defense, documents reveal.

ChatGPT is now ‘more direct, less verbose, and more conversational,’ if you’re a paying subscriber.

The best shows on Netflix in April include Good Times, Baby Reindeer, Ripley, Vikings, The Resident, The Conners, 3 Body Problem, and more.

Secure your home more efficiently and for less too with the Arlo Pro 5S 3-pack of security cameras currently on sale at Best Buy.

Roku has disclosed a second data breach in as many months. While it was looking into a previous incident in which 15,000 accounts were affected, the company learned that another 576,000 accounts had been compromised.

In both incidents, Roku believes that the attackers used a method called credential stuffing. “It is likely that login credentials used in these attacks were taken from another source, like another online account, where the affected users may have used the same credentials,” the company says.

Roku added that, in fewer than 400 cases, attackers used victims’ Roku accounts to buy streaming subscriptions and Roku devices using stored payment methods. However, the hackers did not gain access to full credit card numbers or other payment information.

The company has reset the passwords for all affected accounts and informed users who have been impacted. The company is also turning on two-factor authentication for its more than 80 million active accounts. The next time you log in, you’ll get a verification email. You’ll need to click a link in the email before you can access your account. Meanwhile, Roku says it’s refunding or reversing charges in the cases where the hackers bought subscriptions or hardware.

While the impact of this latest breach doesn’t seem too disastrous, it’s a good reminder that you should have a strong, unique password for every single one of your accounts. A password manager makes it much easier to have robust login credentials, as you’ll only need to remember one main password or log in using biometric data.

This article originally appeared on Engadget at https://www.engadget.com/roku-suffered-another-data-breach-this-time-affecting-576000-accounts-170442223.html?src=rss

Ubisoft’s online-only racing game The Crew stopped being operable on April 1. Some users are reporting, however, that things have gone a bit further. They say that the company actually reached into Ubisoft Connect accounts and revoked the license to access the game, according to reports by Game Rant and others.

Some of these users liken this move to theft, as they had purchased the game with their own money and received no warning that Ubisoft would be deleting the license. When attempting to launch the game, these players say they received a message stating that access was no longer possible.

On its face, this sounds pretty bad. People paid for something that was snatched away. However, there’s one major caveat. The Crew is an online-only racing game, so there really isn’t anything to do without the servers. Those servers went down on April 1 and the game was delisted from digital store fronts. Also, this move only impacts the original game. The Crew 2 and The Crew Motorfest are both still going.

When Ubisoft announced that the servers would be taken offline, it offered refunds to those who recently purchased the The Crew. The game’s been around a decade, so this refund likely didn’t apply to the vast majority of players. Some of these people said they had planned to set up private servers to play the game, an option that is now impossible.

This isn’t the biggest deal in the world, being as how The Crew is not operable, but it does highlight a major problem with the purchase and use of digital goods. We pay money for these products. We think we own them, but we don’t own a damned thing. Read the terms of service from Ubisoft or any other major games publisher for proof of that. Philippe Tremblay, Ubisoft’s director of subscriptions, recently told Gamesindustry.biz that players will become “comfortable with not owning” their games. I’m not so sure we’ll ever be comfortable with the idea that stuff we paid for can disappear on a dime, even if it becomes standard practice.

This article originally appeared on Engadget at https://www.engadget.com/ubisoft-is-deleting-the-crew-from-players-libraries-reminding-us-we-own-nothing-165328083.html?src=rss

Many major tech companies, particularly those that operate in the TV hardware business, have dipped their toes into original content. Although it’s had its own free, ad-supported TV (FAST) channels for a while, TCL is late to that party. Not for much longer though, as the company is set to release its first special, a short romance movie, on TCLtv+ this summer. There’s just one slight hitch: TCL is using generative AI to make original content for its platform, and early signs do not bode well.

The company has released the first trailer for Next Stop Paris, which it’s calling “the first AI-powered love story.” TCL used human writers, as well as actors for motion capture and voice performances. While it has artists in the US, Canada, UK and Poland working on the project, it relied heavily on generative AI.

“I am excited by this opportunity to differentiate us with original programming. AIGC [artificial intelligence generated content] for us is the beginning,” Chris Regina, TCL’s chief content officer, told Broadcasting+Cable. “It’s a new approach and it makes sense coming from a tech and hardware company that that’s where we’re going to start.”

The plot of Next Stop Paris, such as it is, sees a young woman going on her honeymoon to Paris alone after her fiancé ran off with someone in their wedding party. She meets a stranger on the train and the pair explore the French capital together.

TCL is hoping that original content can help draw viewers to TCLtv+ and help build a brand identity for the company. While it’s not entirely fair to judge a film based on a trailer, the Next Stop Paris clip gives a terrible first impression for both the project and TCLtv+.

The look of the characters changes throughout, from a moderately realistic style to the hyperrealism we often see from the likes of Midjourney, and they project all of the emotion of a pair of dead fish. Lip syncing is almost non-existent and the characters walk in a very unnatural way. 

The trailer feels like the worst kind of fever dream. Saying this looks like garbage would be an insult to garbage. If “content is king,” as Regina put it, Next Stop Paris looks like a pauper.

The Hallmark Channel gets a lot of flak for its romance movies and romcoms, but at least there’s an earnestness and high level of care behind the network’s output, which does a lot to fill a gap in the theatrical slate. TCL is trying to muscle into that space too.

“There’s an audience there that’s watching our service and we see a hole in the marketplace with theatrical rom-coms not as prevalent,” Regina said. “They’re a guilty pleasure. You get under a blanket and watch in front of your TV set. So that’s the driver.” On top of that, TCL plans to make its original content shoppable and have AI-generated “characters in our shows that can be brand ambassadors and influencers for advertisers.”

Thankfully, TCL isn’t only working on AI-generated guff. “We are looking at doing traditional content. So movies, scripted shows, unscripted content, specials,” Regina, who wrote Next Stop Paris with TCL chief creative officer Daniel Smith, said. “The next thing we have brewing isn’t AI at all.” That’s good, because whatever’s next can’t look much worse than Next Stop Paris.

This article originally appeared on Engadget at https://www.engadget.com/tcls-first-original-movie-is-an-absurd-looking-ai-generated-love-story-154142740.html?src=rss